One of the biggest trends in all of media and entertainment is the growth of augmented reality graphics and virtual production technologies. Whether it’s green screen, LED walls, or as elaborate as working in a full LED volume, how are schools beginning the immerse themselves in the style of content creation? What tech does it take and how do you train your team to thrive?

Join Matt Alvarado from the University of Texas as he shares how they leverage SMPTE ST 2110 to enable high-quality, IP-based media transport across campus. Learn how interconnectivity enhances live production, streamlines resource sharing, and supports a scalable, future-ready infrastructure.

In today’s hyperactive media age, how are you taking care of yourself and your team’s mental well-being? Is it getting better out there? This panel discussion tackles the important topic of how we can continue to make ithe industrybetter today and for future generations

In college athletics — as in content creation — more is more. From implementing tools like the cloud and REMI/remote production workflows to managing internal expectations, how are athletic departments today combating the enormous demands on their staffs and production facilities? A panel of industry pros share their advice and experiences.

Our control rooms are our homes away from home. Join us for an exclusive behind-the-scenes look at the new control room operating at the University of South Carolina. The gorgeous, new four-control room production facility opened this year to support live production to SEC Network, ESPN+, and in-venue videoboards. Discover the latest technology powering those broadcasts, gain insider insights into the university’s key technology decisions, and connect with industry leaders shaping the future of live production.

Please wrap your lunch and join us in the Regency Ballroom for the presentation of the SVG College Pioneer Award. This year is a celebration of the late, great Mike Bilbow, the former Assistant Athletic Director of Digital and Production for the University of Georgia Athletics.

Dive into the nitty gritty of live game production with some of the very best in the industry. We’ll touch on everything from smart production tool investments, camera and microphone layouts, rundowns, staffing, student training, and much more. Also, how are departments balancing the demands of both broadcast and videoboard shows?

Explore how Georgia State’s GSPN program uses Vizrt technology and pro-level equipment to train students for real careers in sports media.

Take a seat in the film room, except this time, we’re breaking down a live broadcast. In this in-depth case study, Virginia Tech's HokieVision gives an in-depth breakdown of not only how they produce a live women's basketball game, but how they told a unique compelling story of a game that also included the jersey retirement of one of the program's great players - and WNBA Draft pick - Liz Kitley.

In college athletics — as in content creation — more is more. From implementing tools like the cloud and REMI/remote production workflows to managing internal expectations, how are athletic departments today combating the enormous demands on their staffs and production facilities? A panel of industry pros share their advice and experiences.

Our control rooms are our homes away from home. Join us for an exclusive behind-the-scenes look at the new control room operating at The University of Texas at San Antonio. The facility, which was built and fitted for more than $5 million, allows UTSA Athletics to produce top-quality live productions to meet broadcast standards set by ESPN and the American Athletic Conference. Discover the latest technology powering those broadcasts, gain insider insights into the university’s key technology decisions, and connect with industry leaders shaping the future of live production.

Dive into the nitty gritty of live game production with some of the very best in the industry. We’ll touch on everything from smart production tool investments, camera and microphone layouts, rundowns, staffing, student training, and much more. Also, how are departments balancing the demands of both broadcast and videoboard shows?

In one of the more original productions of the academic year, Harvard executed its first social-specific live event broadcast distributed in a 9:16 vertical aspect ratio. The live tennis broadcast featured commentary and offered whiparound coverage of multiple simultaneous matches. The production was natively cut for vertical video with customized graphics for streaming on Instagram, TikTok, and Facebook. The team at Harvard shares the blueprints of this unique production.

Ever see a piece of content online and think “how’d they do that?” In this in-depth presentation, the University of South Carolina pulls back the curtain to show all the ins and outs of how he and his team produced a thrilling hype video to preview the new baseball season and spotlight a new head coach.

We are capturing seemingly endless amounts of footage and sound of our athletic programs. How do we get the most out of it? Some of the industry’s top college creatives share how they log and use footage across all their projects, making videos for social, digital, videoboard, linear, and other destinations sing in their own ways.

Content capture — or media days — have become a critical time in the calendar. Banking still and moving imagery for website, social, videoboard, broadcast, and more sets you and your team up for success throughout the season. Creatives from across the country share their creative ideas for these days and offer advice for organizing an effective use of the student-athletes’ time.